While those who are able to do so are in quarantine, prioritizing health and solidarity from a distance, others still do not have the support and occupational conditions in order to put these basic care measures into practice. This crisis reveals the deep inequality shaking our society, where cinema and series stand out as an impetus for change, through reflection and dialogue, uniting us in these uncertain times.
This has motivated us to feature and reveal national titles and talents that have been distinguished for their critical abilities, their level of authorship, and for creating a refuge for the spectator. It has already been five weeks since the first edition of CINEMACHILE’S Thursdays of Chilean Cinema, where we have released feature films and short films online weekly, made available by the authors themselves, to provide you with company and to be watched free of charge for one week.
March 26 - April 2
THE YOUNG BUTLER by Marcela Said
OPUS DEI by Marcela Said
HERE’S THE PLAN by Fernanda Frick
April 2 - 9
THE LIFEGUARD by Maite Alberdi
NIÑO ÁRBOL by Waldo Salgado
April 9 - 16
NEWS by Perut + Osnovikoff
AUSTRAL FEVER by Thomas Woodroffe
April 16 - 22
HERE I AM, HERE I AM NOT by Elisa Eliash
HERE AND EVERYWHERE by Flavia Contreras
April 23 - 30
THE MUD WOMAN by Sergio Castro
HÉCTOR by Victoria Giesen
July 2 - 9
July 9 - 16
July 16 - 23
July 30 - August 6
August 6 - 13
August 13 - 20
- THE CITY OF PHOTOGRAPHER by Sebastián Moreno
- THE PASSENGER'S WOMEN by Patricia Correa y Valentina Mac-Pherson
August 20 - 27
August 27 - September 3
- MALTA CON HUEVO, by Cristobal Valderrama
- LAS PELUQUERAS by Maite Alberdi and Israel Pimentel
September 3 - 10
September 10 - 17
September 17 - 23
September 23 - 30
October 1-8
October 8-15
October 15 -22
- La muerte de Pinochet, de Bettina Perut e Iván Osnovikoff
- El astuto mono de Pinochet, de Bettina Perut e Iván Osnovikoff
October 29 - November 5
El Diario de Agustín, de Ignacio Aguero
Como me da la gana, de Ignacio Aguero
November 5 - 12
November 12 - 19
Locas mujeres, de María Elena Wood
