{"id":9899,"date":"2021-02-27T00:41:42","date_gmt":"2021-02-27T00:41:42","guid":{"rendered":"https:\/\/cinemachile.cl\/?p=9899"},"modified":"2021-03-09T22:48:28","modified_gmt":"2021-03-09T22:48:28","slug":"cinemachiles-quick-look-en-efm-2021-productores-y-proyectos-que-no-te-puedes-perder","status":"publish","type":"post","link":"https:\/\/antes.cinemachile.cl\/en\/cinemachiles-quick-look-at-efm-2021-producers-and-projects-not-to-be-missed\/","title":{"rendered":"CINEMACHILE&#8217;S QUICK LOOK AT EFM 2021:  Producers and projects not to be missed!"},"content":{"rendered":"<p><span style=\"font-weight: 400;\"><a href=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/CCH-EFM-2021-presskit.pdf\"><strong><span style=\"color: #ff0000;\">The 25 producers attending the virtual EFM<\/span><\/strong> <\/a>bring films and projects that are charting the coordinates of a new generation of Chilean cinema, where dystopian fiction features, LGBTQ+ themes, and arthouse documentaries represent the diversity of our national scene. They\u2019re bringing the upcoming films and series of outstanding Chilean directors, including Claudia<\/span><b> Huaiquimilla, Elisa Eliash, Nicol\u00e1s Molina, Oscar Godoy, and Andr\u00e9s Waissbluth.<\/b><span style=\"font-weight: 400;\"> The debuts in development by promising directors such as <\/span><b>Diego C\u00e9spedes, Gabriela Pena, Juan Pablo Arias, and Sebasti\u00e1n Ayala<\/b><span style=\"font-weight: 400;\"> will also seek to broaden their international networks.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/McWeSMilDy0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Here\u2019s a preview of the outstanding films and projects that will seek alliances to achieve their development and finalization, as well as the names of the filmmakers charting the future of our cinema!<\/span><\/p>\n<h2><span style=\"color: #ff0000;\"><b>Chilean films completed or in post-production at EFM 2021:<\/b><\/span><\/h2>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9941\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/roberto-doveris-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Roberto Doveris (Ni\u00f1a Ni\u00f1o)<\/strong>, director of <\/span><b><i>Plants<\/i><\/b><span style=\"font-weight: 400;\"> (Berlinale, 2016) and co-producer of <\/span><b><i>Potential Victim<\/i><\/b><span style=\"font-weight: 400;\"> by Nicol\u00e1s Guzm\u00e1n (Tallinn Black Nights, 2018) and <\/span><b><i>The Prince<\/i><\/b><span style=\"font-weight: 400;\"> by Sebasti\u00e1n Mu\u00f1oz (Venice, 2019), arrives at EFM with <\/span><b><i>Patient(ly) Enduring Suffering<\/i><\/b><span style=\"font-weight: 400;\">, a comedy about the Chilean healthcare system directed by Constanza Fern\u00e1ndez (<\/span><b><i>A Map for a Talk<\/i><\/b><span style=\"font-weight: 400;\">, Frameline 2012). <\/span><i><span style=\"font-weight: 400;\">In post-production, seeking festivals for a world premiere.<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignright wp-image-9924\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/clara-taricco-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Clara Taricco (Mala Parte)<\/strong> brings <\/span><b><i>Fever<\/i><\/b><span style=\"font-weight: 400;\">, the third film by Elisa Eliash (<\/span><b><i>Here I am, Here I am not<\/i><\/b><span style=\"font-weight: 400;\">, BAFICI, 2012). An adventure film about 21st-Century childhood, the film begins with a classic argument in children\u2019s literature, coming across mutant and psychedelic images on the way. Selected to WIP at Guadalajara 2020. <\/span><i><span style=\"font-weight: 400;\">In post-production and in search of distribution.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9937\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-calisto-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Pablo Calisto (Equeco)<\/strong>, producer of <\/span><b><i>Little White Lie<\/i><\/b><span style=\"font-weight: 400;\"> by Tom\u00e1s Alzamora (Miami, 2017), brings <\/span><b><i>History and Geography<\/i><\/b><span style=\"font-weight: 400;\"> by Bernardo Quesney, a dramatic comedy starring big national actors like Amparo Noguera, Catalina Saavedra, and Steevens Benjamin. The film follows a television actress who returns to her hometown with the motive of recovering her old fame. <\/span><i><span style=\"font-weight: 400;\">In post-production and in search of a sales agent<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignright wp-image-9939\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pepe-rovano-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Pepe Rovano (Totoral Films)<\/strong> brings a self-directed documentary that narrates the rebellious story of a son of a genocide attempting to repair his past. The intriguing non-fiction drama is called <\/span><b><i>Bastard. The legacy of a criminal<\/i><\/b><span style=\"font-weight: 400;\">. <\/span><i><span style=\"font-weight: 400;\">In post-production and in search of distribution.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9932\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/josephine-s-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Josephine Schroeder (Pequ\u00e9n Producciones)<\/strong>, selected this year in BERLINALE TALENTS, will also attend the market with <\/span><b><i>Pir\u00f3polis<\/i><\/b><span style=\"font-weight: 400;\">, the third feature film by Nicol\u00e1s Molina (FLOW, Sheffield, 2018), a documentary that portrays the sequence of catastrophic events experienced by a team of firefighters in Valpara\u00edso, Chile. <\/span><i><span style=\"font-weight: 400;\">In post-production and in search of a world premiere.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignright wp-image-9938\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/pablo-greene-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Pablo Greene (Lanza Verde)<\/strong> brings the long-awaited second feature film by Claudia Huaiquimilla about the juvenile detention system, <\/span><b><i>My Brothers Dream Awake<\/i><\/b><span style=\"font-weight: 400;\">, selected to Ventana Sur\u2019s COPIA CERO and winner of FicValdivia\u2019s WIP section. Her first feature, <\/span><b><i>Bad Influence<\/i><\/b><span style=\"font-weight: 400;\">, awarded in Toulouse and Havana, positioned her as an outstanding new voice in Chilean cinema. <\/span><i><span style=\"font-weight: 400;\">Completed and in search of a sales agent.<\/span><\/i><\/p>\n<h2><span style=\"color: #ff0000;\"><b>Chilean<\/b> <b>projects in development at EFM 2021:<\/b><\/span><\/h2>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9929\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/francisco-greene-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Francisco Greene (Suroeste Films)<\/strong> brings <\/span><b>Frontera<\/b><span style=\"font-weight: 400;\">, a series about a young prosecutor who travels to the Andean plateau to solve a crime of two border patrol officers. Directed by Oscar Godoy, who returns to the screen after <\/span><b>Bala Loca<\/b><span style=\"font-weight: 400;\"> (Chilevisi\u00f3n, Netflix) a series nominated to the Platinos, the F\u00e9nix Awards, and the Peabodys in 2017. <\/span><i><span style=\"font-weight: 400;\">In development and in search of financing.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignright wp-image-9935\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maximiliano-s-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Maximiliano Scheleff (Pajareza Films)<\/strong> is going with the debut of Juan Pablo Arias, a director who has explored arthouse terror with his short films <\/span><b><i>La historia de los monstruos<\/i><\/b><span style=\"font-weight: 400;\"> (AFI FEST, 2019) and <\/span><b><i>Hombre<\/i><\/b><span style=\"font-weight: 400;\"> (Cin\u00e9latino Rencontres de Toulouse, 2018), and who will now submerge himself in the isolation of Chile\u2019s Patagonia with the thriller <\/span><b><i>Karukinka<\/i><\/b><i><span style=\"font-weight: 400;\">. In development and in search of financing.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9922\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/bruno-bettati-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Bruno Bettati (Jirafa)<\/strong>, producer of award-winning films such as <\/span><b><i>The Summer of Flying Fish<\/i><\/b><span style=\"font-weight: 400;\"> by Marcela Said (Quincena, 2013) and <\/span><b><i>Voice Over<\/i><\/b><span style=\"font-weight: 400;\"> by Cristi\u00e1n Jim\u00e9nez (Toronto, 2014), brings <\/span><b><i>La isla de las gaviotas<\/i><\/b><span style=\"font-weight: 400;\">, LGBTQ+ themed first feature by Chilean actor Sebasti\u00e1n Ayala (<\/span><b><i>The Prince<\/i><\/b><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">Venice, 2019), the coming-of-age story of a teenage \u201ctransformista\u201d. <\/span><i><span style=\"font-weight: 400;\">In development and in search of international co-production.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignright wp-image-9940\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/picho-garcia-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Picho Garc\u00eda (Grieta Cine)<\/strong>, who arrives at EFM after his run in the recent Cinemart at IFFR PRO, brings <\/span><b><i>Here the silence is heard<\/i><\/b><span style=\"font-weight: 400;\"> by Gabriela Pena, a hybrid documentary that attempts to make sense of the family wounds caused by exile, winner of the 2020 Open City London development fund. <\/span><i><span style=\"font-weight: 400;\">In development and in search of international co-production.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9925\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/claudio-del-valle-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Claudio del Valle (Insomnio Films)<\/strong> brings <\/span><b><i>Mam\u00e1 Gol<\/i><\/b><span style=\"font-weight: 400;\">, a film that mixes drama and comedy to tell the story of a nurse who decides to secretly train her husband\u2019s football team, without imagining that she\u2019ll have to challenge the club\u2019s mafia ownership. <\/span><i><span style=\"font-weight: 400;\">In development and in search of international co-production.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignright wp-image-9930\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/giancarlo-nasi-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Giancarlo Nasi (Quijote)<\/strong> brings <\/span><b><i>The Mysterious Gaze of the Flamingo<\/i><\/b><span style=\"font-weight: 400;\">, first feature by director Diego C\u00e9spedes, winner of the Cannes Cinefondation award in 2019 with <\/span><b><i>The Summer of the Electric Lion<\/i><\/b><span style=\"font-weight: 400;\">. This LGBTQ+ feature-length debut portrays the HIV\/AIDS crisis of the 1980s in a mining town in the north of Chile. Winner of the Industry Award at San Sebasti\u00e1n 2020. <\/span><i><span style=\"font-weight: 400;\">In development and in search of international co-production.<\/span><\/i><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\"><strong><img loading=\"lazy\" class=\"alignleft wp-image-9934\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood.png\" alt=\"\" width=\"90\" height=\"90\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood.png 1042w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood-300x300.png 300w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood-1024x1024.png 1024w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood-150x150.png 150w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood-768x768.png 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/maria-elena-wood-700x700.png 700w\" sizes=\"(max-width: 90px) 100vw, 90px\" \/>Mar\u00eda Elena Wood (Mar\u00eda Wood Producciones)<\/strong>, outstanding producer and director with more than 30 years of experience in the creation and production of television content. You may contact her to find out more.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/03\/EFM-2021.pdf\"><span style=\"color: #ff0000;\"><strong>FIND OUT ALL THE DETAILS OF OUR DELEGATION THAT WILL BE PRESENT AT OUR NATIONAL STAND!<\/strong><\/span><\/a><br \/>\n<a href=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/03\/EFM-2021.pdf\"><img loading=\"lazy\" class=\"aligncenter wp-image-9907\" src=\"https:\/\/cinemachile.cl\/wp-content\/uploads\/2021\/02\/EFM-2021-stories--576x1024.jpg\" alt=\"\" width=\"349\" height=\"621\" srcset=\"https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/EFM-2021-stories--576x1024.jpg 576w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/EFM-2021-stories--169x300.jpg 169w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/EFM-2021-stories--768x1365.jpg 768w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/EFM-2021-stories--864x1536.jpg 864w, https:\/\/antes.cinemachile.cl\/wp-content\/uploads\/2021\/02\/EFM-2021-stories-.jpg 1080w\" sizes=\"(max-width: 349px) 100vw, 349px\" \/><\/a><\/h3>\n<p><\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>The 25 producers attending the virtual EFM bring films and projects that are charting the coordinates of a new generation of Chilean cinema, where dystopian fiction features, LGBTQ+ themes, and arthouse documentaries represent the diversity of our national scene. They\u2019re bringing the upcoming films and series of outstanding Chilean directors, including Claudia Huaiquimilla, Elisa Eliash, [&hellip;]<!-- AddThis Advanced Settings generic via filter on wp_trim_excerpt --><!-- AddThis Share Buttons generic via filter on wp_trim_excerpt --><\/p>\n","protected":false},"author":4,"featured_media":9903,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftloader_page_shortcode":""},"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v16.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CINEMACHILE&#039;S QUICK LOOK AT EFM 2021: Producers and projects not to be missed!  &raquo;<\/title>\n<meta name=\"description\" content=\"Talentosas voces y visiones del cine chileno participan en el EFM el prestigioso encuentro de industria de la Berlinale.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antes.cinemachile.cl\/?p=9899\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]CinemaChile&#039;s Quick Look en EFM 2021: \u00a1Productores y proyectos que no te puedes perder![:en]CINEMACHILE&#039;S QUICK LOOK AT EFM 2021: Producers and projects not to be missed! 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