{"id":9355,"date":"2020-12-03T17:51:44","date_gmt":"2020-12-03T17:51:44","guid":{"rendered":"https:\/\/cinemachile.cl\/?p=9355"},"modified":"2020-12-17T16:01:21","modified_gmt":"2020-12-17T16:01:21","slug":"dos-visiones-arriesgadas-sobre-cuerpo-y-poder-en-reinos-y-el-destapador","status":"publish","type":"post","link":"https:\/\/antes.cinemachile.cl\/en\/dos-visiones-arriesgadas-sobre-cuerpo-y-poder-en-reinos-y-el-destapador\/","title":{"rendered":"Two risk-taking films about the body and power dynamics: “Reinos” and “El destapador”"},"content":{"rendered":"

Another Thursday means more Chilean movies\u00a0 to watch from anywhere in the world. We continue our program with two risk-taking films that pose deep reflections on <\/span>the body, desire and power. <\/span>Kingdoms <\/i><\/b>(2017), Pelayo Lira’s first film, is a love story between two university students that build a relationship based on sex, portraying along the way a society marked by consumption and the desire for excess. The short film <\/span>El destapador <\/i><\/b>(2012), by Carolina Adriazola and Jos\u00e9 Luis Sep\u00falveda, on the other hand,\u00a0 intertwines the lives of four people who live together,\u00a0 where their own bodies become\u00a0 a place of rebellion and resistance.<\/span><\/p>\n

 <\/p>\n

Kingdoms<\/b><\/h2>\n

\u00a0<\/b>In <\/span>Kingdoms<\/i><\/b>, Lira reflects on what it means to cross into adulthood in today’s world and the daunting shadow of uncertainty that affects the Chilean middle class.\u00a0 In the film Alejandro (Diego Boggioni) and Sof\u00eda (Daniela Castillo)\u00a0 maintain a passionate relationship, visible through intense sexual scenes that also show the imbalanced emotional connection between them.<\/span><\/p>\n

Shots of intertwined bodies and faces in intimacy are contrasted with the daily tasks of university life and the search for independence. Over time, Alejandro’s adolescent behavior provokes Sof\u00eda to reject him, making her realize she must take agency over her future.\u00a0<\/span><\/p>\n

\u00a0<\/span>P<\/span>roduced by Diego Pino (Cangrejo Producciones) in co-production with Yeniffer Fasciani (Niebla Producciones <\/span>), <\/span>Kingdoms <\/i><\/b>is based on <\/span>the book of the same name by Romina Reyes (co-writer). <\/span>It had its world premiere in the International Competition of the 19th edition of BAFICI, where it won the award for Best Individual Performance for Castillo, continuing to premiere in\u00a0 European in the prestigious <\/span>Karlovy Vary Festival and nationally in SANFIC13.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

El destapador<\/b><\/h2>\n
\"\"
El destapador<\/figcaption><\/figure>\n

Carolina Adriazola and Jos\u00e9 Luis Sep\u00falveda are characterized by an audiovisual standpoint that continually explores societies margins and the marginalized, developing a cinema that is transgressive in its content as well as its forms of production. <\/span>El destapador <\/i><\/b>is no exception, and it offers us a look into the lives of characters that are invisibilized by the mainstream, people who resist the violence of capitalism through their own bodies.\u00a0<\/span><\/p>\n

The film explores the exterior and the interior of an occupied house in Valpara\u00edso. Inside, 4 people live collectively, having conversations about injustice and individualism, showing their own livelihoods as a place of opposition. While outside, in the public area, various social demonstrations that occur throughout the city are continuously repressed by the police.<\/span><\/p>\n

\u00a0<\/span>Shot in an occupied house in Valpara\u00edso that was raided shortly after filming, the characters include a young lesbian fighting for her basic rights, a guy who experiments with pain as a political statement, and an older homophobic woman. A gem in contemporary Chilean cinema, we present this film for the first time subtitled in English on a streaming platform.<\/span><\/p>\n

\u00a0<\/span>\u00a0<\/span><\/p>\n

Click here to see <\/b>Kingdoms (password: censo2017)<\/i><\/b><\/a><\/span><\/span><\/p>\n

Click here to see <\/b>The Bottle Opener<\/i><\/b><\/a><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Another Thursday means more Chilean movies\u00a0 to watch from anywhere in the world. We continue our program with two risk-taking films that pose deep reflections on the body, desire and power. Kingdoms (2017), Pelayo Lira’s first film, is a love story between two university students that build a relationship based on sex, portraying along the […]<\/p>\n","protected":false},"author":3,"featured_media":9356,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftloader_page_shortcode":""},"categories":[1],"tags":[],"yoast_head":"\nTwo risk-taking films about the body and power dynamics: "Reinos" and "El destapador" »<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antes.cinemachile.cl\/?p=9355\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Dos visiones arriesgadas sobre cuerpo y poder en \u201cReinos\u201d y \u201cEl destapador\u201d[:en]Two risk-taking films about the body and power dynamics: "Reinos" and "El destapador"[:] »\" \/>\n<meta property=\"og:description\" content=\"Another Thursday means more Chilean movies\u00a0 to watch from anywhere in the world. 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