{"id":7566,"date":"2020-07-15T23:50:56","date_gmt":"2020-07-15T23:50:56","guid":{"rendered":"https:\/\/cinemachile.cl\/?p=7566"},"modified":"2020-07-23T17:43:37","modified_gmt":"2020-07-23T17:43:37","slug":"descubre-nuevas-peliculas-y-autores-10-operas-primas-de-nuestro-nuevo-catalogo-internacional-de-cine-chileno-2020","status":"publish","type":"post","link":"https:\/\/antes.cinemachile.cl\/en\/discover-new-films-10-first-features-that-are-part-of-our-new-international-catalogue-of-chilean-films-2020\/","title":{"rendered":"DISCOVER NEW FILMS: 10 FIRST FEATURES that are part of our New International Catalogue of Chilean Films 2020"},"content":{"rendered":"

To guide you in the process of discovering new films and authors that are part of our New Chilean Film Catalogue that CinemaChile publishes every year, we present 10 unmissable first features, 5 documentaries and 5 fictions features:<\/span><\/p>\n

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  1. <\/b>The ship of oblivion by <\/i><\/b>Nicol Ruiz (Alen Cine)<\/b><\/li>\n<\/ol>\n

    \u201cThe ship of oblivion\u201d mixes elements of science fiction and romance, featuring elderly LGBTQ+ characters who explore their sexuality with the mysterious landscape of southern Chile as a backdrop. Motivated by exploring what freedom means in film, and how to find possibilities of expression amidst a violent society, Ruiz has created a film that vibrates with authenticity and clarity. Recognized with several Work in Progress awards in competitions that include Fem Revolution, Femcine and Biob\u00edo Lab, this promising opera prima is helmed by a talented group of women including producer Catalina Fontecilla (Primeras<\/strong><\/em><\/span>).<\/span><\/p>\n

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    1. Three of Us by Constanza Tejo (Molotov Cinema)<\/b><\/li>\n<\/ol>\n

      With an intimate camera approach, Constanza Tejo explores side “B”\u00a0 of maternity, trying to break with the social impositions of what a mother is supposed to be. The autobiographical documentary captures her pregnancy process, from the moment she found out she was having a baby with her ex-partner, to the morning-sickness, the stretch marks and the fear of losing self-hood. A deep reflection on the expectations that our society places on women, the project was winner of the WIP Meeting at FIDBA and the Biob\u00edo Cine Festival Business Table and is produced by Eduardo Villalobos <\/span>Matar a un hombre<\/i><\/b>, <\/span>Sentados frente al fuego<\/i><\/b>). <\/span><\/p>\n

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      1. <\/b>Zoila<\/i><\/b> by Gabriela Pena (Grieta Cine)\u00a0<\/b><\/li>\n<\/ol>\n

        Zoila is a documentary that tries to dismantle the class, race and gender conflicts that coexist within Chilean families, tensions that cross memory and shape images. While reviewing photographs and files from her childhood split between Chile and Barcelona, \u200b\u200bPena discovers that Zoila (her Mapuche nanny) was filmed only behind doors, erased from\u00a0 her daily life. In the film the two women travel together to reunite with Chile, discovering along the way the\u00a0 real power of their shared bond. Selected in the WIP of BAFICI, FIDBA and SANFIC, among many others, this intimate story -currently in the last phase of post-production- is produced by Picho Garc\u00eda de Grieta Cine, an emerging production company based in Valpara\u00edso.<\/span><\/p>\n

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        1. 130 Children by Aina Aparici (Mimbre producciones )<\/b><\/li>\n<\/ol>\n

          Aina Aparici is passionate about films that inspire and help audiences\u00a0 overcome stereotypes, fears and prejudice, something that is evident in every minute of 130 Children, a documentary that follows a Costa Rican couple who have adopted 130 children in the last 40 years. The doc follows the process of integrating a new child into this home, one that continues to multiply despite the parents’ old age. Produced by Daniela Camino (The Journey of Monalisa) of the production company Mimbre Producciones (Nona if they soak me, I\u00b4ll burn them), this empathetic story about the crisis of abandoned children stands out for its magnificent characters, full of heart and courage.<\/span><\/p>\n

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          1. <\/b>We forget<\/i><\/b> by Belen Giadach (Equeco)<\/b><\/li>\n<\/ol>\n

            In \u201cWe Forget\u201d Giadach explores the sensations that caused her to return to Chuquicamata, a mining city in northern Chile. Once she returned to the place she was born 8 years after her initial departure, she saw everything abandoned, buried by false hills and concrete. By understanding the power of her memories, she began to create this experimental fiction film with elements of the essay genre, starring Pablo Schwarz (Neruda; Pr\u00f3fugos), as a man who walks the forgotten city, seeking to release the memories trapped in an old movie theater. Produced by Pablo Calisto de Equeco (La mentirita blanca) and edited by Mayra Mor\u00e1n (Petit Frere), Nos Olvidamos is sure to open the way for a young Chilean cinema, willing to take risks. <\/span><\/p>\n

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            1. <\/b>Those Girls\u00a0 <\/i><\/b>by Alexandra Hyland (Maltrato Films)<\/b><\/li>\n<\/ol>\n

              \u201c<\/span>Those Girls<\/i><\/b>\u201d, starring actress Alicia Rodr\u00edguez, known for her role in Joven y Alocada, is a\u00a0 melancholic feminist take on the friendship between two women. A pop portrait that highlights the moments of comedy\u00a0 that are mixed in between the awkwardness and pain of life, the film follows the search of these two friends as they raise money for a clandestine abortion. Hyland already has people talking about\u00a0 her bold and original new voice, named one of the \u201c10 chilean directors to watch\u201d by Variety, and has participated in Sanfic Lab and Berlinale Talents, receiving support from the TFI Latin American Fund. Produced by Sebasti\u00e1n Gonz\u00e1lez (The Devil is Magnificent), the film is currently in post-production and will be sure capture\u00a0 audiences once it is released. <\/span><\/p>\n

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              1. <\/b>Night Shot <\/i><\/b>by Carolina Moscoso (El Espino Films)<\/b><\/li>\n<\/ol>\n

                Carolina Moscoso debuts with a brave, multi-layered film, exploring the wounds left by abuse, the revictimization of court proceedings, and how female friendship helps heal patriarchal trauma. In video-diary format, the documentary takes a highly intimate experience to reflect on the prevailing silence in our sexist society. It recently premiered internationally at the prestigious FIDMarseille, it is produced by Macarena Aguil\u00f3 (The Chilean Building).<\/span><\/p>\n

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                1. <\/b>Karnawal<\/i><\/b> by Juan Pablo Felix (Picard\u00eda)<\/b><\/li>\n<\/ol>\n

                  Filmed during a carnival between the Argentina and Bolivia border, Karnawal reflects on the spaces of refuge during adolescence and the ways in which the adult world imposes and halts creativity. A coming-of-age film starring the renowned national actor Alfredo Castro (El club, El pr\u00edncipe) the film has already had an outstanding trajectory in industry events, including the main prize at Cineconstrucci\u00f3n Toulouse Films and four prizes at the Ventana Sur First Cut category. On the Chilean side the film is produced by Diego Rougier (Salt), in co-production with Argentina, Brazil, Mexico and Bolivia. A great Latin American film that will be premiering\u00a0 in this second semester of 2020.<\/span><\/p>\n

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                    \n
                  1. The sky is red by Francina Carbonell (Storyboard Media)<\/b><\/li>\n<\/ol>\n

                    \u00a0In 2010, the fire in the San Miguel prison (Santiago) left 81 people dead and a trial without culprits. Carbonell’s film immerses us in the horror of that morning and in the precariousness of the Chilean prison system through the mixture of different unpublished archives, including material from security cameras, legal folders and family testimonies. Composing a deep reflection about what is hidden and forgotten, navigating the limit of the judicial and the sensorial, Carbonell constructs a powerful journey through the structural violence in our society. A transcendent documentary that will give audiences a lot to talk about, incredibly contingent for this current moment. Produced by Gabriela Sandoval of Storyboard Media.<\/span><\/p>\n

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                     <\/p>\n

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                    1. Nobody Knows I\u00b4m Here<\/i> by Gaspar Antillo (Fabula)<\/b><\/li>\n<\/ol>\n

                      Fabula has brought audiences not only one of the most exciting Chilean films of the year, but also one of the most important first features of 2020. Winner of the Best New Director award at the Tribeca Film Festival and now streaming on Netflix worldwide, Antillo’s work was born out of\u00a0 the curiosity of looking behind the curtain, of accessing the backstage of the human being within the artist. Starring Jorge Garc\u00eda (Lost) and Luis Gnecco (Neruda), the story follows a man who lives his days remembering what was his short stint in the children’s music industry. Mixing elements of humor and drama, Antillo’s irreverent style is captivating.<\/span><\/p>\n

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                      CHECK OUR <\/a>INTERNATIONAL FILM CATALOGUE HERE<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

                      To guide you in the process of discovering new films and authors that are part of our New Chilean Film Catalogue that CinemaChile publishes every year, we present 10 unmissable first features, 5 documentaries and 5 fictions features: The ship of oblivion by Nicol Ruiz (Alen Cine) \u201cThe ship of oblivion\u201d mixes elements of science […]<\/p>\n","protected":false},"author":3,"featured_media":7568,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftloader_page_shortcode":""},"categories":[1],"tags":[],"yoast_head":"\nDISCOVER NEW FILMS: 10 FIRST FEATURES that are part of our New International Catalogue of Chilean Films 2020 »<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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