{"id":2084,"date":"2019-07-25T14:47:46","date_gmt":"2019-07-25T18:47:46","guid":{"rendered":"https:\/\/antes.cinemachile.cl?p=2084"},"modified":"2019-08-06T18:41:41","modified_gmt":"2019-08-06T22:41:41","slug":"la-presencia-historica-de-chile-en-venecia-2019-chile-llega-con-cuatro-peliculas-al-festival","status":"publish","type":"post","link":"https:\/\/antes.cinemachile.cl\/en\/festival-de-venecia-chile-2019\/","title":{"rendered":"THE HISTORICAL PRESENCE OF CHILE IN VENICE 2019: Chile arrives with four films at the festival"},"content":{"rendered":"

The year 2019 has positioned itself as a historic year for Chilean cinema worldwide, with an unprecedented presence at the Venice International Film Festival that includes four films competing in different sections of the festival. Topping this groundbreaking presence is <\/span>Ema<\/span><\/a>, the new feature film by director Pablo Larra\u00edn, selected in the Official Competition of the Biennale. Additionally, White on White,\u00a0 by Theo Court, was selected in the Orizzonti section, The Prince, by Sebasti\u00e1n Mu\u00f1oz, in Settimana della Cr\u00edtica, and Austral Fever, by Thomas Woodroffe, in Orizzonti Shorts.<\/span><\/p>\n

For the past two years, CinemaChile has attended Venice as a sector brand, and it is a joy to now announce the unprecedented Chilean presence in one of the most important festivals in the world. The Venice Film Festival, in charge of promoting international cinema in all of its forms for decades, has put a special emphasis on Latin America during the last years.<\/span><\/p>\n

Ema, Larra\u00edn\u2019s new film and the eighth of his filmography, tells the story of a young dancer who decides to separate from Gast\u00f3n, her boyfriend, after giving up the son they had adopted and were unable to raise. Ema will search the streets of Valpara\u00edso for new loves to placate the guilt. However, that is not her only objective, as she also has a secret plan to recover what was lost.<\/span><\/p>\n

White on White, an international co-production between\u00a0 Quijote Films (Chile), El Viaje Films (Spain), and Pomme Hurlante Films (France), is set in the early twentieth century in Tierra del Fuego, the last corner of the world. \u00a0 When the marriage of an omnipotent landowner is about to take place, a photographer arrives to immortalize the relationship. The future wife, a girl who travels with him, becomes his obsession. Theo Court, director of the film, says, \u201cBlanco en Blanco seeks to portray the fate of a society forged on death, a story about the invisible guilt in which we participate daily. Which is the load carried by our protagonist, in a virgin land marked by the horror of genocide.\u201d<\/span><\/p>\n

The prince is a fiction feature based on a novel of the same name by author Mario Cruz. The story takes place in 1970, where after a night of drunkenness, Jaime stabs his best friend in an apparent passionate outburst. In prison he will strengthen ties with \u201cEl Potro\u201d, an older and respected man with whom he will begin a relationship. Jaime will become known as \u201cThe Prince\u201d, and discover the affections and loyalties, while facing the power struggles behind bars. This film is the first feature film by Mu\u00f1oz, who has been an art director for films by Alicia Scherson and Pablo Larra\u00edn.<\/span><\/p>\n

Additionally,\u00a0 the short film Austral Fever, is an intense 20 minute short made by the young director Thomas Woodroffe, that tells the story of Amanda, a lonely woman who lives with her son Daniel in the southern mountain range of Chile. Octavio, a friend of Daniel, is accidentally injured while hunting in the forest. Amanda takes care of the healing sessions, developing an intimate bond with the child. There they will discover that contact with the wound produces an addictive pleasure.<\/span><\/p>\n

In Woodroffe\u2019s words,\u00a0 Austral Fever is an atmospheric search with which he tries to understand what happens with the magical distance that exists between pleasure and pain. \u201cIt is a film that wonders about the body, and the unique and personal perception of the limits of its sensitivity\u201d he says. \u201cParticipating in the short film competition of the Venice Film Festival is very surprising, both for me and for the incredible team of creatives and technicians with whom I was able to work with in Austral Fever. Venice selects only 12 shorts from around the world, which makes us feel especially honored. In addition, it is the first time that a Chilean short film participates in this section,\u201d says Woodroffe.<\/span><\/p>\n

 <\/p>\n

CHILE\u2019S TALENTED CAST & CREW<\/span><\/h1>\n

The professionals, creatives and technicians that make up each film represent the effervescent talent present in all arenas of the Chilean audiovisual sector.\u00a0\u00a0<\/span><\/p>\n

Among the creative and technical professionals that make up the team behind Ema are the following talented people: Cinematography by Sergio Armstrong; Art Direction by Estefan\u00eda Larra\u00edn; Screenplay by Guillermo Calder\u00f3n, Alejandro Moreno and Pablo Larra\u00edn; Editing by Sebasti\u00e1n Sep\u00falveda; Sound by the post production company Sonamos. The cast is integrated by Mariana Di Girolamo, Gael Garc\u00eda Bernal and Santiago Cabrera.<\/span><\/p>\n

In\u00a0 Blanco en Blanco, the screenplay was written by Theo Court and Samuel Delgado; Cinematography by Jos\u00e9 \u00c1ngel Alay\u00f3n; Art Direction by Amparo Baeza; Editing by Manuel Mu\u00f1oz; Sound by Joaqu\u00edn Pach\u00f3n. The cast is integrated by Alfredo Castro, Lars Rudolph, David Pantale\u00f3n and Lola Rubio.<\/span><\/p>\n

The Prince was produced by Marianne Mayer- Beckh of El Otro Film, Roberto Doveris of Ni\u00f1aNi\u00f1o Films and co-produced by Le Tire Films (Argentina) and Be Revolution Pictures (Belgium). It features the performances of Juan Carlos Maldonado, Alfredo Castro, Cesare Serra, Gast\u00f3n Pauls, Lucas Balmaceda, Sebasti\u00e1n Ayala and Jos\u00e9 Antonio Raffo. The Art Direction was done by Claudia Gallardo, Cinematography by Enrique Stindt, Costume Design by Carolina Espina, Gerson Valenzuela as General Producer, Edited by Danielle Fillios, Sound by Guido Deniro, Original Music by \u00c1ngela Acu\u00f1a and written by Luis Barrales and Sebasti\u00e1n Mu\u00f1oz.<\/span><\/p>\n

Additionally the short\u00a0 Fiebre Austral, was produced by Rodrigo D\u00edaz and Joaquin Echeverria and Pascual Mena of Brisa; the script was written by Thomas Woodroffe, Camila Aboitiz and Gabriel Goicoechea; Cinematography by Emilia Martin; Art Direction by Rafael Pontigo; Sound by Catalina Mateluna, Sound Design by Roberto Espinoza of Sonamos, Editing by Camila Aboitiz and Gabriel Goicochea, and in Effects and character design Franklin Sep\u00falveda.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The year 2019 has positioned itself as a historic year for Chilean cinema worldwide, with an unprecedented presence at the Venice International Film Festival that includes four films competing in different sections of the festival. Topping this groundbreaking presence is Ema, the new feature film by director Pablo Larra\u00edn, selected in the Official Competition of […]<\/p>\n","protected":false},"author":3,"featured_media":2142,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftloader_page_shortcode":""},"categories":[1],"tags":[],"yoast_head":"\nTHE HISTORICAL PRESENCE OF CHILE IN VENICE 2019: Chile arrives with four films at the festival »<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antes.cinemachile.cl\/festival-de-venecia-chile-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"[:es]Presencia hist\u00f3rica en Festival de Venecia 2019: Chile llega con tres pel\u00edculas y un cortometraje[:en]THE HISTORICAL PRESENCE OF CHILE IN VENICE 2019: Chile arrives with four films at the festival[:] »\" \/>\n<meta property=\"og:description\" content=\"The year 2019 has positioned itself as a historic year for Chilean cinema worldwide, with an unprecedented presence at the Venice International Film Festival that includes four films competing in different sections of the festival. 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