{"id":10377,"date":"2021-06-16T20:54:23","date_gmt":"2021-06-16T20:54:23","guid":{"rendered":"https:\/\/cinemachile.cl\/?p=10377"},"modified":"2021-07-01T16:59:01","modified_gmt":"2021-07-01T16:59:01","slug":"fidmarseille-2021-recibe-a-las-directoras-carolina-moscoso-y-maria-paz-gonzalez","status":"publish","type":"post","link":"https:\/\/antes.cinemachile.cl\/en\/espanol-las-directoras-carolina-moscoso-y-maria-paz-gonzalez-participan-en-fidmarseille-2021\/","title":{"rendered":"Directors Carolina Moscoso and Maria Paz Gonz\u00e1lez participate in FIDMarseille Lab 2021"},"content":{"rendered":"

Running until June 18th is the 2021 edition of FIDLab, the encounter and development platform at prestigious French film festival FIDMarseille, which has two Chilean projects among its selection: To Die Standing<\/em><\/strong> (\u201cMorir de pie\u201d), the second feature film by Mar\u00eda Paz Gonz\u00e1lez, and I Will Never Be a Cop<\/em><\/strong> by Carolina Moscoso, winner of the Grand Prix at last year\u2019s version of the festival with her first feature, Night Shot<\/em><\/strong>.<\/p>\n

FIDLab is a trampoline toward the internationalization of works in development from around the world, with a careful curation of only 16 projects selected for networking and writing sessions this year. We invite you to get to know the work of these talented Chilean filmmakers and their new film proposals.<\/p>\n

Mar\u00eda Paz Gonz\u00e1lez, a project that opens doors to current themes at FIDLab 2021<\/u><\/strong><\/h2>\n

As a filmmaker, Gonz\u00e1lez intersects the creative worlds of documentary and fiction; direction, production, and writing. She has developed a large part of her work in the field of documentary, producing Stealing Rodin<\/em><\/strong> (Crist\u00f3bal Valenzuela, 2017); Space Journey<\/em><\/strong> (Carlos Araya, 2019), and co-writing Night Shot<\/em><\/strong> by Carolina Moscoso (2019). Her latest film was Lina from Lima<\/em><\/strong> (2019), a feature-length fiction that combines the drama and musical genres.<\/p>\n

At FIDLab she is currently promoting her new production To Die Standing<\/em><\/strong>, a fiction project that seeks international financing, and whose producer is Giancarlo Nasi (Quijote).<\/p>\n

\u201cIt\u2019s my second fiction film and it\u2019s the first time that we\u2019ve gone out with a project from the beginning to find international financing. FIDLab is a big space but with quite a sensitive artistic eye, so I\u2019m very content to be able to participate. We arrived there due to an award that the Festival of Marseille gave us at a laboratory by Cine CCC, so we\u2019re happy to take advantage of it,\u201d said Mar\u00eda Paz.<\/p>\n

The film is a comedic drama that places a female character as the protagonist and whose central theme is lack of empathy. \u201cIt\u2019s about a topic that seems socially very current to me. In terms of opportunities, I think it\u2019s interesting to communicate about the film and see what happens. It has been very lovely because it\u2019s a project that draws a lot of curiosity and the conversation ends up being very stimulating,\u201d Gonz\u00e1lez pointed out.<\/p>\n

Regarding sharing the stage with Carolina Moscoso, Gonz\u00e1lez commented that she was content. \u201cShe has a radical and provocative perspective that I feel is quite fundamental in understanding feminism. I love her vision of cinema, and we became friends after she invited me to work with her on the writing of Night Shot. I think this lab is a natural space for her new project, especially because she won the festival last year with her documentary.\u201d<\/p>\n

Carolina Moscoso, the director who is returning to FIDLab with an intimate story<\/u><\/strong><\/h2>\n

Brave, and made up of many cinematic layers\u00a0\u2014 that is how we would describe the work of Carolina Moscoso, who during 2020 made an impact with her documentary Night Shot<\/em><\/strong>, a film that explores the wounds left by abuse, the revictimization of the judicial process, and how friendship helps heal patriarchal drama. And which premiered at FIDMarseille and won the Grand Prix in the International Competition.<\/p>\n

In 2021, I Will Never Be a Cop<\/em><\/strong> is a documentary project produced by Camila Jos\u00e9 Donoso\u2019s Transpara\u00edso Cine (Naomi Campbell; Casa Roshell;<\/em><\/strong> and Nona: If They Soak Me, I’ll Burn Them<\/em><\/strong>), which is based on 30 years of home videos filmed by her uncle. The recordings shed light on the relationship her family members have with the national police, once again projecting an intimate portrait with a powerful political perspective.<\/p>\n

\u201cThe development of I Will Never Be a Cop<\/em><\/strong> has been quite a nice process. These are images that have marked me, because through them, I became aware that many of my relatives were police officers who had chosen this occupation to escape poverty, as a way to ascend socially,\u201d said Moscoso.<\/p>\n

The project also seeks to be a personal exploration with an intense look at her roots, and into the vision she has of herself. \u201cSomething I want to explore is my own personal police officer and the inner policeman I carry around, and perhaps the cop we all have inside in one way or another. Especially myself as I was raised by them, so as much as I reject it, I have a lot of that in me. I\u2019m interested in exploring those limits. What it means to be a cop.\u201d<\/p>\n

With respect to the participation of Mar\u00eda Paz in FIDLab, Moscoso comments, \u201cI\u2019m overjoyed, that we\u2019re making cinema, we\u2019re making films in the middle of a pandemic. Mar\u00eda Paz is a marvellous creator who I greatly admire, whose presence has been very important in what I\u2019m attempting to do, so I love that we\u2019re both gambling on these films at the same time and that we\u2019re growing, discovering, and getting inspired and everything as a friendship, that what we do is so important.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

Running until June 18th is the 2021 edition of FIDLab, the encounter and development platform at prestigious French film festival FIDMarseille, which has two Chilean projects among its selection: To Die Standing (\u201cMorir de pie\u201d), the second feature film by Mar\u00eda Paz Gonz\u00e1lez, and I Will Never Be a Cop by Carolina Moscoso, winner of […]<\/p>\n","protected":false},"author":4,"featured_media":10380,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftloader_page_shortcode":""},"categories":[1],"tags":[],"yoast_head":"\nCarolina Moscoso y Mar\u00eda Paz Gonz\u00e1lez participar\u00e1n en FIDMarseille<\/title>\n<meta name=\"description\" content=\"FIDMarseille 2021: las directoras chilenas presentar\u00e1n sus nuevas pel\u00edculas en el espacio de laboratorio del gran certamen franc\u00e9s.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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