{"id":10086,"date":"2021-03-25T15:26:05","date_gmt":"2021-03-25T15:26:05","guid":{"rendered":"https:\/\/antes.cinemachile.cl\/?p=10086"},"modified":"2021-04-29T02:44:51","modified_gmt":"2021-04-29T02:44:51","slug":"jueves-de-cine-chileno-continuamos-destacando-a-las-mujeres-del-cine-la-montajista-melisa-miranda-y-la-directora-de-foto-emilia-martin","status":"publish","type":"post","link":"https:\/\/antes.cinemachile.cl\/en\/thursdays-of-chilean-cinema-highlights-film-editor-melisa-miranda-and-director-of-photography-emilia-martin\/","title":{"rendered":"Thursdays of Chilean Cinema highlights film editor Melisa Miranda and director of photography Emilia Martin"},"content":{"rendered":"

In this new edition of Thursdays of Chilean Cinema, we\u2019re sharing two works that were the most-watched in our 2020 cycle, <\/span>Adriana\u2019s Pact (photo)<\/i><\/b> and <\/span>Austral Fever<\/i><\/b>, highlighting female creators who work behind the scenes to lay the foundations for essential elements of each film.<\/span><\/p>\n

Miranda, meanwhile, is one of the most outstanding non-fiction editors in Chile, responsible for the cuts of <\/span>The Waltz of the Useless<\/i><\/b> by Edison Cajas (Mar del Plata, 2013), <\/span>The Journey of Monalisa<\/i><\/b> by Nicole Costa (DOC NYC, 2019), and currently <\/span>Pampas Marcianas<\/i><\/b> by the MAFI Collective and <\/span>Albertina y los Muertos<\/i><\/b> by Cesar Borie, among others. She is also a director: her short film <\/span>M\u00e9dula<\/i><\/b> premiered at IDFA in 2013 and she\u2019s writing her first feature, <\/span>Los d\u00edas sin Nombre<\/i><\/b>.<\/span><\/p>\n

Adriana\u2019s Pact<\/i><\/b> by Lissette Orozco (Berlinale, 2017), one of the most emblematic Chilean documentaries of recent years, was edited by Melisa Miranda, who wove personal and political elements together to create a reflection on the marks left by the Dictatorship of Pinochet.<\/span><\/p>\n

\"\"
Austral Fever<\/figcaption><\/figure>\n

In intertwining archival material with autobiographical recordings, Miranda builds a powerful edit that compels us to dismantle the dark past of our country, and of our own families as well.<\/span><\/p>\n

In <\/span>Austral Fever<\/i><\/b> by Thomas Woodroffe (Venice, 2019), the impeccable eye of director of photography Emilia Martin comes through with a treatment that walks the thin line between pleasure and pain. She exposes this limit pictorially, with images that recall questions about the body, about loneliness, and the break between light and darkness.<\/span><\/p>\n

Following its premiere in Venice, <\/span>Austral Fever<\/i><\/b> was shown in Nest Film Students at San Sebasti\u00e1n Film Festival, Shortcuts in Toronto, and NYFF, among others.<\/span><\/p>\n

As of late, Martin worked on the short film <\/span>Litre<\/i><\/b> by Sebasti\u00e1n Salfate and is currently awaiting the filming of <\/span>Bloques err\u00e1ticos<\/i><\/b>, also by Woodroffe.\u00a0<\/span><\/p>\n

WATCH “ADRIANA’S PACT” (click)<\/a><\/span><\/h2>\n

WATCH “AUSTRAL FEVER”<\/a> (password: <\/span>juevesdecinechileno2021<\/span>) (click)<\/span><\/h2>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

In this new edition of Thursdays of Chilean Cinema, we\u2019re sharing two works that were the most-watched in our 2020 cycle, Adriana\u2019s Pact (photo) and Austral Fever, highlighting female creators who work behind the scenes to lay the foundations for essential elements of each film. Miranda, meanwhile, is one of the most outstanding non-fiction editors […]<\/p>\n","protected":false},"author":4,"featured_media":6929,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftloader_page_shortcode":""},"categories":[1],"tags":[],"yoast_head":"\nJueves de Cine Chileno: hoy destacamos a Melisa Miranda y Emilia Martin<\/title>\n<meta name=\"description\" content=\"En Jueves de Cine Chileno compartimos "El pacto de Adriana" y "Fiebre austral", destacando a las creadoras Melisa Miranda y Emilia Martin.\u00a0\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/antes.cinemachile.cl\/?p=10086\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jueves de Cine Chileno: hoy destacamos a Melisa Miranda y Emilia Martin\" 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